Currently Reading: This Is Not Chick Lit
October 16, 2008
This Is Not Chick Lit: Original Stories by America’s Best Women Writers, edited by Elizabeth Merrick, has been sitting sadly in my bookshelf for more than a year before I finally picked it up.
I’m thankful I brought it along on a media coverage and that I finally read it (an ex sent it to me on my birthday last year) because reading it inspired me to write, not another chick lit, but something more meaty, serious, and thought-provoking.
One of the stories I distinctly remember from this selection is “Selling the General” by Jennifer Egan, because it’s a storyline I can relate with. The female character, Dolly, runs a PR agency and is offered a hefty amount to do crisis PR for a South American dictator whose government had slaughtered masses. I loved the snappy dialogue, and while its New York setting and allusion to brand names and private schools for girls might mislead you into thinking this is part of the Gossip Girl series, it’s not.
(Did I mention that I was once a publicist for a former defense secretary? I lasted a little more than a month–not because I didn’t like him. I’ve sworn not to get involved with politics ever.)
The names of the authors don’t ring a bell, but what they’re doing–going out there to give readers something better– is admirable. As editor Elizabeth Merrick writes in her introduction, these are “female writers pushing the envelope of serious writing with depth and humor.” I’ve never written a short story before, but after reading this book, I think I’d like to try my hand at it.
Like mother, like son
March 30, 2008
My son Jacob grew up wanting to be a book editor like me. He would say, “When I grow up, I want to work at your office at so-and-so.”
I remember when I was project manager for this print-on-demand publishing firm that there were nights I’d come home very late and not get to see him for three straight days, so I’d make up by bringing him to work and he’d settle into one of the empty walk-in closets in the office and read, color, cut paper, or do something productive.
Other times I’d bring a lot of work home, mostly printouts of manuscripts that needed reviewing, and skim through them while he’d sit beside me reading. The printouts would end up in two piles: one with corrections would be brought back to the office. The clean pages would go to him, and he’d pretend he’d be editing them as well.
I didn’t realize how absorbed he was with this “writer” and “editor” thing until recently, when he did the opening prayer during his preschool graduation. My mom, who had been a school principal in her working years, had drawn up the prayer for my little boy and practiced him every night so he would perfect it.
Of course, the ever-stubborn boy would not just take the draft as is: he had his own questions too. One line went, “This will be the last time that we will see each other–all 36 of us . . .” and this six-year-old disagreed with “all 36 of us” because “it is not a sentence, and it is grammatically incorrect”!
My mom was certainly shocked but kept her temper in check. “It’s for emphasis,” she says. “Writers do it a lot.”
And my boy said, “Well, you’re NOT a writer.”
Ooops. Now that’s what I mean by “a little knowledge . . .”
Why an Online Presence Is Important for Writers
February 18, 2008

If it were difficult to penetrate the international literary scene a decade ago, today many young Filipino writers are getting published in international magazines all because of the Internet. Furthermore, with the advent of Guru, Elance, and other job markets, Filipino writers are able get projects and commissioned work abroad. That means a wider market and more jobs (and more money!) for writers.
Many years ago when I applied for admission at the University of the Philippines, I was weighing the pros and cons of taking creative writing as against journalism. My parents’ advice echoed in my mind: You can never get rich by writing.
Of course, these days, making money through writing is not altogether impossible and one can actually live comfortably by doing copywriting, manuscript editing, and Web content work. While this isn’t the type of creative work that most writers aspire for, it brings food to the table, and whoever said you couldn’t write a novel or a short story on your days off, eh?
A project fell onto my lap a few weeks ago, courtesy of a forgotten profile on Writers.net. Perhaps things like this don’t happen frequently, but it bolsters what I have always believed in: for you to break borders and find jobs elsewhere, you must have an online presence.
Isabel Allende: Real Change Needs Feminine Energy
January 11, 2008
In this talk at TED2007, Latin American author Isabel Allende talks about writing, passion, and feminism.
“Heart is what drives us and determines our fate,” she says.
That is what I need for the characters in my book–a passionate heart. I need mavericks, dissidents, adventurers, outsiders and rebels who ask questions, bend the rules, and take risks. . . .
Allende also shares stories of powerful women she has met, such as actress Sophia Loren, who like her was one of eight flag bearers at the 2006 Winter Olympics in Turin, Italy. Allende is funny and touching at the same time, and the lesson isn’t lost in the speech.
“For real change, we need feminine energy,” she says. She’s not saying only women should lead but encourages that we “nurture the feminine energy in men.” I wish there were more women like her.
Listen to the talk here.
When I read 