I used to be a big Times New Roman user, and back at the publishing house where I used to work, one of the first things I did before editing a manuscript was to turn off track changes and convert the text to Times New Roman 11.
In the last two years of magazine work, however, I’ve discovered the sleek, more readable 10-point Trebuchet, finding Times New Roman illegible (or maybe it was my poor vision!)
Slate recently asked a number of writers what font they prefer, and it’s an interesting range: from Courier New to Palatino, and Century Schoolbook to Hoefler Text.
Nowadays I find that setting my MS Word document to Trebuchet has become a habit even when I write, although I try to use Verdana or Tahoma every now and then, for variety.
Jonathan Lethem, author, You Don’t Love Me Yet: A Novel
I dislike the temptation of making a raw draft look like it’s already typeset. Before computers, I wrote three novels on a typewriter, and there can never be anything but 12-point Courier (double-spaced) forever: I write on an eternal Selectric of the mind. I can even hear the rattle of the metal ball against the sheet of paper, I swear.
Read the full article here.